Oh, Nicholas Cage. You’ve made some great movies and some not-great-but-still-perfectly-enjoyable-to-watch movies (Con Air, National Treasure), and you’ve made some rather terrible movies that I’ll watch out of hope that they’ll end up being in the second category.
I completely forgot that I put Knowing on my Netflix list, so imagine my surprise when I opened that cheery red envelope to find that instead of 500 Days of Summer, which is what I thought was at the top of the list. Thankfully Chris is the kind of guy that will watch pretty much anything! We settled down with Ben and Jerry after dinner a couple weeks ago and watched the movie on my laptop.
I thought that the premise had promise, but I’m a sucker for movies regarding an apocalyptic situation and the earth, basically. Armageddon, The Day After Tomorrow, all that kind of stuff. I’m kind of upset that I didn’t get to see 2012 in theaters, and even though I have an intense hatred of having to read anything that Cormac McCarthy wrote (which, to be fair, has more to do with the formatting of his novels than anything else), I really do want to see The Road. Because Viggo Mortensen is ruggedly hot.
But I digress. I hope that none of you were planning to see this movie, because I am going to lay out the plot below. In other words: BEWARE SPOILERS.
A long, long time ago there was this creepy little girl that never smiled, ever. Her school decided to do something special and build a time capsule, to be opened in fifty years by little kids in the future! Everyone was supposed to draw what they thought the future would look like: spaceships, drive-through Starbucks, you know, whatever. Creepy Little Girl, however, just wrote down a bunch of numbers, filling up both sides of the paper. She is chastised for this by her teacher, who takes away her paper because she is taking too long but puts it in with the other’s drawings anyways. During the ceremony burying the time capsule later, CLG disappears. They find her some hours later, huddled in the basement below the gym, her hands bloody. Everyone is naturally freaked out, and even more so when they realize that her hands are bloody because she used them to carve the final numbers she couldn’t fit on her paper into the back of the door. Creep-tastic.
Flash forward to the future. Nicholas Cage and his son live alone in this weird house in the woods with no apparent neighbors. Through some vague dialogue it appears that NC’s wife has passed away, and he and his son are in some disagreement about the existence of heaven. We also find out that NC is a professor at MIT! Woo! Go smart guys! His son happens to go to the same school that CLG used to go to, and, naturally, gets here envelope when the great unveiling of the time capsule occurs. Even though he’s not supposed to he brings the letter home, thinking that there might be some meaning to all the nonsense. We find out NC has a drinking problem – but that’s okay, because in his state of alcohol-induced brilliance, he realizes that all those numbers? They’re dates of disasters where people died, and the number of people that died in said disasters. (Sorry for the awkward sentence.) However, some random numbers exist between these that he still can’t figure out.
On his way to pick up his son from school one day he is stuck in a traffic jam. Bored and troubled because one of the disasters predicted happened to be scheduled to take place that day, he glances at the GPS screen his fancy schmancy truck comes equipped with and comes to a sudden shocking realization: all those other numbers smooshed between the dates and deaths are locations in longitude and latitude! That was one smart Creepy Little Girl. He whips out the paper and realizes that he is IN the location the disaster is predicted to occur! Suddenly, a plane rockets into the scene and crashes in the road/field, leaving a long streak of flaming cars and debris.
To make a long story short: CLG, between bouts of being creepy and predicting future disasters, managed to get married and produce offspring. Said offspring has a daughter near NC’s kid’s age, and happens to live in town. They meet and at first she is naturally off-put by Nick’s unsettling interest in her dead mother, but eventually comes around. They realize that the last prediction, slated only a short time in the future, is a prediction that EVERYONE else is going to die after a convoluted process where “33″ is recognized to be “EE” backwards, because little kids apparently do that sometimes, and “EE” stands for “everyone else.” They visit the hella creepy trailor where CLG lived as an adult and about the same time, strange flat black rocks start showing up in odd places and the kids begin to see creepy men that look a lot like Spike from Buffy the Vampire Slayer.
Apparently, the world is slated to end due to a massive solar flare or some such that will basically fry each and every living thing on earth. CLG’s kid gets killed in a car crash and the kids are spirited away by the creepy men (who I think they call Whisper Men in the movie) to the trailer where CLG used to live. Nicholas Cage races after them, convinced the men are going to murder the kids or something, and comes to the frightening realization that behind CLG’s trailer is a whole field of the smooth, flat black rocks that have been turning up in the oddest places. He sees the kids with the men and threatens them only to be soothed by the kids: it’s okay, because the creepy men are really aliens/angels/??? sent from above/a higher power/??? to spirit away children and animals to another planet to repopulate. And NC is told he can’t go with his son, so he’s left on earth to be incinerated with everyone else.
Yeah. That’s where I wish I was kidding. It is left purposely ambiguous exactly WHAT the men are (angels or aliens or what have you), but they scoop up the kids (and some rabbits) and whisk them away in a massive spaceship off the planet. You are treated to a view of lots of other spaceships lifting off the planet and also flying away to space, where they gently deposit the children (and rabbits) in an idyllic grassy field. I think the angels idea is pushed a bit, because there’s a giant tree that could definitely be meant to symbolize the Tree of Knowledge from the Garden of Eden. But that’s how the movie ends.
So, 1137 or so words later, I leave you with this simple conclusion: Knowing is not worth the 1.5 hours of your life it would take to watch it. The end.